20090729

[camera club] back to the future?

[image courtesy of DPReview.com]

Is the new Olympus EP-1 the future of digital rangefinder photography, or of photography in general? Does its release signal the beginning of the end for the SLR, the dominant camera design since the 70's? I guess time will tell, but I think there is definitely something about this camera which has greater implications for future camera design.

The EP-1 has unashamedly taken its RF-styling from its Pen camera heritage, Olympus using this rich history during its pre-release hype. The Micro-FourThirds sensor technology is finally yielding the sorts of cameras that it was originally developed for: small, stylish and functional. I think this camera could redefine what consumers look for when buying a camera, with particularly implications for the lower end of the DSLR market.

Why? The EP-1 is the first 'compact' sized camera to offer inter-changeable lenses. Coupled with its retro-styling and Olympus quality, the overall package should be very popular with photographers. Especially those who want something more than a low-spec compact and are toying between the idea of a entry-level DSLR or high-end compact. For advanced photographers, who usually always carry a compact in some form, suddenly there is viable alternative to the Panasonic LX3 and the Canon G9 for portability and looks.

The success of the EP-1 in the low-end DSLR market depends on how well consumers receive the advantages of a rangefinder over the single-reflex design. Anyone buying a DSLR is buying into a camera system. Customers can be split down the line by those who know this and those who don't. The savvy DSLR customer would have their eye on evolving to a more advanced DSLR body (and lenses) down the track and would probably still go with the SLR form.

Consumers toying with the idea of an advanced compact or low-end DSLR because they take 'better pictures', now have another option to consider. The increased portability of the EP-1 over a DSLR, even though not fully 'pocketable', would definitely appeal. As would the increased sensor size (i.e. better quality images). The inter-changeable lens mount levels the playing field with DSLRs, and opens the camera up to lenses from any FourThirds manufacturer (and beyond).

The EP-1's main drawbacks are not a significant to this consumer. The lack of a viewfinder is common amongst most compacts in the market. In fact the movement in the DSLR segment towards live view raises the possibility of people seeing it as almost standard. This will become increasingly so as the technology moves on. Traditional TTL (through-the-lens) viewing of scene would be left to professionals who require this for their specific photography needs, mainly sport, weddings, fashion, etc.

The lack of a flash, given that most in-built flashes are the poor cousin of an external flash, is not an game changer. On balance, this consumer has some tough decisions to make and increasingly so with a Panasonic/Leica version out sooner rather than later.

So what about the rangefinder purists? I am pretty they would have loved to see a built-in rangefinder, but that would be a different camera. Here we must remember the Pen camera history. This is a consumer compact conceived in the 60's. Don't get me wrong, I believe a full RF-equipped version is coming from either Panasonic/Leica or Olympus. However, it is a different 'beast' for a different market and will be priced as such (mainly due to the complexities of the rangefinder mechanism). The popularity and mystique of the Epson RD-1 and the Leica M8 means there is a niche market here waiting to be served, quietly holding onto their M-mount lenses for a more cost-effective option.

My guess is most true rangefinder fans would already own some FourThirds camera because of its ability to marry with manual focus M-mount lenses (further discussed here). The EP-1, despite its inability to meter with these older lenses, serves this market because it does allow many M-mount lens owners the ability to own a stylish, traditional and inexpensive digi-RF home for these.

If people flock to the RF-style of the Olympus EP-1, could it spell the beginning of the end of DSLR design? Will it force a re-thinking of both RF and SLR design? It will be interesting to wtach the reaction of the consumer, the reaction of the bigger players like Nikon and Canon, and what the traditional rangefinder companies (Leica and Voigtlander) do to their products lines over the coming month/year in response.

Keep trucking'

2 comments:

shakespearemate said...

I found this quote on dpreview.com also, and I agree whole-heatedly: "There's no doubting this is a handsome little beast, and the choice of materials, sleek, simple lines and lack of unnecessary ornamentation give it the same 'real camera' appeal that makes otherwise rational photographers lust after the similarly timeless Leica M8. The E-P1 is one of the most attractive digital cameras we've ever seen, and we can imagine there will be a lot of people looking to justify buying one even if they have little or no real need for one. The 'pride of ownership' factor is going to be very strong with this one."

dave said...

It's hard to make a comment about this one without having done the in-hand review. Luckily that won't stop me here.

I want to like this camera. But I always want to like Olympus cameras. However when it comes to pressing the flesh I find myself lost trying to picture myself owning it. (that's a great pun if i say so myself.)

The OM1. Fantastic camera. Never wanted one though. The E-410. Superb little thing. Couldn't wait to hand it back to the shop assistant. Maybe they just don't get my camera Feng Shui.

Broadly speaking I can't see where I fit into their design manifesto, as much as I respect it. I suspect the Pen will be the same for me.

Part of me is confused what camera it's supposed to be. Is it the second camera to the beast in the bag? The take all places first camera? The show off design piece?

It looks and is featured like a great hobby camera. Now that's fine and to be applauded, except it's not priced like one. And from what reviews I've come across on image quality vs price I question what ultimately their motives are. Somewhere between a Leica and Lomo market? I think they should borrow Stella Artois' tagline 'REASSURINGLY EXPENSIVE'.

Trying to be all things to all people and ends up appealing to no one except the majority who want a beautifully styled expensive camera to take an occasional photo with. Very large legitimate market that, but not for me.

Could it be for the occasional arty shooters?

No viewfinder: All the Lomo kids will be very upset.
No flash: Oh no, I can't take it to all my cool parties.
Interchangeable lenses: Hang on Aunty Jan, I'll just whip out my 14-24mm for this birthday shot. I don't think so.

For the handy second camera crowd it will be too big, still average quality images relative to a DLSR with the extra burden of having to carry extra lenses and flashes.

So it must be the recent convert to 'photography as a hobby' crowd. It's this market that spends big and that's when for me all the Pen's features and styling make sense. This crowd is fickle though. I suspect most like the idea of photography but really all they want to do is take a nice shot of a sunset and have someone say 'wow, that's a lovely camera'. Leica have been trading digitally in this market for years.

I'd rather get a G9 I think. For me if it's a digital compact, give me all the features you can cram in there.

I'm hoping the press of the flesh changes my mind, but I doubt it will.